Thursday, June 15, 2017

[Review] The Belko Experiment

The company slogan this film flaunts, "Business without boundaries" takes on a whole different meaning in the gruesomely violent 9-5 free-for-all that is The Belko Experiment.

John Gallagher Jr., Tony Goldwyn, Adria Arjona, Melonie Diaz, and Michael Rooker play the notable co-workers who clock into Belko Industries. A seemingly normal day at the office turns into absolute chaos when the building's intercom is hijacked by an unknown voice giving them orders to essentially engage in systematic killing, and it's no joke.

It's like The Purge in a skyscraper. A less-stylish cousin of Ben Wheatley's High-Rise. But it lacks the social commentary or send-up that you might expect from an over-the-top corporate debacle. And it's mostly void of any sense of humor or bite. I say "mostly" because there is an operatic sequence where people's heads start exploding and the film's token stoner yells "It's all in my mind!" But mainly, this is a hollow, hypothetical scenario of people being pushed to the edge under pressure, where all morals are tossed out the window (if the windows weren't sealed up). Who will snap first? Who's gonna get sacrificed. Who's gonna take charge? How does one even develop a plan under these circumstances?

The Belko Experiment is entertaining in a sadistic sort of way for a while, but I began to check out about halfway through as the film became loathsomely cruel, tedious, and one-note--one bloody and skull-crushing note. (I also think it was a terrible mistake to kill off Michael Rooker's character so early.) So this film isn't really fun, intense, or substantial enough to be memorable or gain cult appeal. The biggest question I was left with was: Who cares?

( 5/10 )

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