Saturday, August 12, 2017

[Review] Wakefield

Bryan Cranston stars in the noir-ish and voyeuristic domestic drama, Wakefield. Its cynical dissection of marriage and suburban discontent warrants comparisons to stuff like Gone Girl or The Girl on the Train. As far as quality, it falls somewhere in between (Gone Girl being the better one, of course).

Howard (Cranston) is an agitated family man. After a quarrel with his wife (played by Jennifer Garner), he has a nervous breakdown and abandons her and their two daughters. But that's not all. Instead of packing up and leaving, he secretly stays in the garage attic and spies on them, like some sort of sadistic experiment to see what they'd do if he disappeared. The film could be titled Guy in an Attic.

It's intriguing to see how this all develops. With such a contained story, a lot of it hinges on Cranston's performance and the blunt tone of his voiceover narration. His character is so self-conscious, so observant, so miserable, so vindictive, and so scathingly sarcastic that it becomes comical--in that black comedy sort of way. As we know by now, Cranston does all of these things well, and he's fine with not being the most likable character. Oh yeah, and he grows a gnarly beard throughout.

Unfortunately, a couple extended flashbacks break up the narrative's momentum, rather than presenting any significant depth or insight. And much like Howard's prolonged time in the attic, the film begins to drag in the second half, especially as his self-sabotaging disappearance becomes increasingly pointless. By then, it's just a matter of waiting to see when Howard will reveal himself, or if he's too far gone. In this case, the beginning is much more interesting than the end.

( 7/10 )

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